Okay, so I think it's time for another little blog series, this time on
writing short fiction. A subject dear to my heart. I have written dozens
of short stories and spent seven years as an editor of short fiction.
If short stories are something you're interested in writing, hopefully
I'll have some useful information. Feel free to leave questions in the
comments and I'll do my best to answer them!
How to write a great short story!
I once took a class from Orson Scott Card in which he compared writing short stories vs. novels to taking a boat across a lake. When writing a novel, you can take a rowboat across the lake. You can stop and fish and enjoy the scenery and paddle around all day. When writing a short story, you get into a speedboat, start the engine and race to the other side of the lake as fast as you can.
Short stories need all the same elements as a novel in order to make it truly a story and not something else. (See my last post). But you're going to handle those elements quite differently in a short story than you would with a novel.
First of all, your story needs
characters. In a short story you are (probably) going to have only one main character. Maybe two. But that's it. You're going to stick with just one viewpoint throughout the story (unless you are writing in the omniscient viewpoint). Your main character should be the person the story is about. The person most deeply effected by the main conflict of the story. You don't have room in a short story to introduce a lot of secondary characters. Of course, their will be secondary characters, but you won't spend much time developing them.
In a short story, your main character needs to be someone readers can relate to at once. They need to feel an almost immediate connection with the character in order to care about what's happening. That means you need to choose your characters actions, dialog, and descriptions very carefully in order to pack the most punch into the shortest space.
To achieve this (in my opinion), you need to get to know you're character inside and out. You need to know him or her so well that you can convey the character's personality to the reader in just a few sentences.
The short stories I love the best are the ones with the most memorable
characters!
Next time we'll discuss the importance of the setting in a short story.
My favorite apocalyptic book is one Randy mentioned in his original post. Folk of the Fringe by Orson Scott Card. It's not a novel, really, but a collection of short stories. Stories that moved me in a profound way. Here were my own people dealing with a world-ending situation. I had never seen anything like that before, and obviously, it had a huge influence on my own writing. If you've never read Folk of the Fringe, I highly recommend it!
As far as movies go, I'm kind of embarrassed to admit it, but I really liked 2012. Despite it's cheesiness and obvious flaws, I really cared about those characters and what happened to them. Somebody did something right in the writing there. Still, I'm glad I didn't fork over money to see it in the theater. 
